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Under Destruction

 

 by Kalitan Jagvonjeul


"The Primordial Power is ever at play.
She is creating, preserving, and destroying in play, as it were.
This Power is called kAli. kAli is verily Brahman,
and Brahman is verily kAli. It is one and the same Re
ality."

 

 

Pierre Pinoncelli, 77, a French performance artist was arrested for striking Marcel Duchamp's "Fountain," with a hammer, Wednesday at a Dada exhibition at the Pompidou Center in Paris.

The porcelain urinal was only slightly damaged.

The artist, who back in 1993 also urinated into the same urinal and also struck it with a hammer at a show in Nîmes, France, has a long history of organizing destructivist "happenings.

He has claimed that his action was also a work of art, and in fact a tribute to Duchamp and other Dada artists who had made their name by challenging the very definition of art. 

The Pompidou's "Fountain" is one of eight signed replicas made by Duchamp in 1964. The original fountain, a conceptual gesture, made in 1917, when first exhibited at the Society of Independent Artists in New York was rejected for being neither original nor art.
That version of the factory cast urinal, displayed by being flipped upside-down and signed R. Mutt, was subsequently lost.  This recent attack by Pinoncelli will ignite more debate around the question as to "What is art?"
 
In 1993 Pinoncelli was jailed for one month and fined approximately $37,500 for urinating in Duchamp's "Fountain" in the Carré des Arts in Nîmes.  He later said he wanted "to rescue the work from its inflated iconic status and return it to its original function as a urinal".
 
1966- Gustav Metzger throws acid on several of his nylon “paintings” which disintegrate within minutes.

 

The destruction of Michael Landy's possessions that formed part of Breakdown (London, 2001) 
Breakdown by Michael Landy

In February 2001, British artist Michael Landy created Breakdown, an installation/event in which he destroyed everything he owned: clothes, family photographs, books and records, white goods, a meat-grinder inherited from his mother, his car. In the disused former premises of C&A on Oxford Street, London, his possessions were catalogued, bagged up, and pulverised by a team of demolition 'operatives'.  A particular ethical puzzle was raised by the fact that among his possessions were some original artworks by his contemporary - Chris Ofili, Damien Hirst, Tracey Emin, Gary Hume and others. When his plan was announced, some of those artists protested.

It might have seemed that Landy was pushing the limits of YBAs conceptualism; what, were the inventors of the unmade bed and a fly infested cow's head, the creators of this aggressively ephemeral work, getting pernickety about their work's permanence? Maybe, but they may have a point.  

Richard Serra Tilted Arc was dismantled and removed from the Federal Plaza in NY.

 

When two self-proclaimed performance artists sauntered into the Tate Modern gallery and relieved themselves on Marcel Duchamp's urinal exhibit, they argued they were paying homage to the French master.

Duchamp's "ready-made" sculpture ridiculed traditional concepts of art and caused a sensation when it first was exhibited in 1917. But rather than drawing accolades and applause, the pair of performance artists were widely dismissed as pranksters.

"In art there are expressionists, cubists and opportunists -- that's the new movement and that's what they are," said David Lee, editor of the art magazine The Jackaw.

The Guardian newspaper branded the pair "guerrilla artists," while the gallery issued a terse statement acknowledging "an incident" but refused further comment.  All of which has thrilled Yuan Cai, 43, and Jian Jun Xi, 37, who argued their goal was to fuel artistic debate and "celebrate the spirit of modern art."

"Duchamp changed art. He gave people a different way of looking at it by putting art in a social context. What we're doing is also revolutionary," said Xi, who, like Cai, grew up in China during Mao's cultural revolution.

References, The Hindu International.

 
 

Welcome to the jungle
We've got fun 'n' games
We got everything you want
Honey, we know the names
We are the people that can find
Whatever you may need
If you got the money, honey
We got your disease

From Appetite For Destruction.  Guns and Roses

There is a long history of this sort of activism in art. The debate around post modernism has been ignited by new groups of painters, installation and conceptual artists.  

1872 - John Ruskin and his bookseller Ellis burn, “with all due ceremony”, a set of Goya’s CAPRICHOS.

1909 - Courbet’s painting THE RETURN FROM THE CONFERENCE (1863) is bought and destroyed by an “exalted Catholic” for being anti-clerical.

1912 - A young woman adds rouge to the forehead and nose of a portrait by Francois Boucher at the Louvre. “She was lacking color,” she explains.

1914 - Mary Richardson, a suffragette, repeatedly hacks at Velasquez’s nude, THE ROKEBY VENUS (1640-48), at the National Gallery in London. “I don’t like the way men visitors gape at her all day.”

1934 - Diego Rivera’s mural MAN AT THE CROSSROADS in the Rockefeller Center, New York, is destroyed by the Rockefellers for portraying Lenin among its figures.

1935 -Jacob Epstein’s sculptures (1907-1908) on the British Medical Association Building are destroyed when the Southern Rhodesian Government purchases the building in London.

1946 - Alfred D. Crimi’s fresco (1938) on the rear wall of Rutger’s Presbyterian Church is painted over because it “puts too much emphasis on Christ’s bare chest.”

1950 - Austrian artist Arnolf Rainer begins to paint over, not only his own pictures, but those by others as well.

1953 - Robert Rauschenberg produced a work entitled “Erased de Kooning Drawing”. This was made by using rubber erasers to literally rub-out a drawing that he had persuaded de Kooning to give him specifically for that purpose. It took a month and about forty erasers to erase/make.

1959 - Acid is thrown on Ruben’s FALL OF THE DAMNED at Munich’s Alte Pinakothek. The assailant says that he did not directly destroy the work, that the acid “relieves one from the work of destruction.”

1960s - The destructivist artist Gustav Metzger is a huge influence on Pete Townsend, his ideology becomes the driving force behind the Who guitarist's legendary guitar-smashing exploits.

1960 - David Smith’s 17h’s, a sculpture created 10 years earlier, is stripped of its coat of red paint to increase its value during the process of sale and resale.

1961 - Arnolf Rainer is arrested for painting over a prized print in Wolfsburg Austria. The print is later sold at an increased value to the Stadtische Galerie.

1966- Gustav Metzger throws acid on several of his nylon “paintings” which disintegrate within minutes.

1961 - The over-sized testicles on Jacob Epstein’s angel sculpture for Oscar Wilde’s tomb (1914, Paris) are hacked off by two indignant English ladies. They are recovered by the cemetery keeper, who uses them for paper weights.

1962 - A night guard at the Louvre scratches x-shapes into nine paintings with his museum keys.

1965 - The executors of David Smith’s estate, with the support of Clement Greenberg, order the removal of white paint from a number of Smith’s open-air works.

1966 - Using her nail file, a woman damages a picture by Hobbema in the National Gallery of Art in Washington.

1971 - Hans Haacke’s one-man exhibition is cancelled by the Guggenheim Museum, because it was thought that it might offend some important New York landowners. Thomas Messer, the director, is criticized for censorship and made to leave the museum.

1972 - Lazlo Toth attacks Michelangelo’s PIETA with a hammer in St. Peter’s in Rome, shouting the whole time: I am Jesus Christ, Christ is risen from the dead."  Giacomo Manzu calls for the death penalty. At the other extreme, artists in Residence at the Swiss Institute send a telegram to the Pope suggesting Toth get an award.

1973 - Jasper Johns crosses out his signature in the silk-screen print Untitled (Skull) from the portfolio Reality and Paradoxes.

1974 - “KILL LIES ALL” is written on Picasso’s GUERNICA in the Museum of Modern Art (New York) by Tony Shafrazi, who considers himself an artist and describes his Guernica “action” as innovative art. Tony goes on to run a successful New York gallery.

1975 -  Robert Smithson creates organic sculptures from materials of the earth that are later destroyed by natural causes. He recognizes that we are physically and culturally bound to the earth and that the classic metaphor of nature as a primordial garden was obsolete for a landscape that bore so many scars of disruption.

1975 - Renault junks the half-completed environmental sculpture commissioned from Jean Dubuffet.

1975 - A psychiatric patient slashes Rembrandt’s NIGHTWATCH in the Netherlands.

1976 - In Omaha’s Joslyn Museum, a bronze statue is taken off its pedestal and thrown at the Bouguereau painting, THE SPRING (1886), by a 37-year-old window-cleaner who finds it filthy.

1976. Blue dye is sprayed over Carl André's display of bricks at the Tate Gallery in London.

1977 - A 43-year-old woman, Ruth van Herpen, plants a heavy lipstick kiss on a white monochrome canvas by the American painter Jo Baer, at the Oxford Museum of Modern Art. At her trial, she said that she had found the painting cold and had wanted to “cheer it up”.

1981 - David Hammons creates his piece "Pissed Off" by urinating on a steel sculpture by Richard Serra.

1981 - Ernst Volland’s open-air exhibition in East Berlin is vandalized by police and painted over with white paint.

1982 - Josef Kleer attacks Barnett Newman’s WHO’S AFRAID OF RED, YELLOW AND BLUE IV (1969-70) with one of the very bars meant to keep museum visitors from getting too close to the work.

1988 - Richard Serra’s work, BERLIN JUNCTION, is vandalized by the inscription: 560,000 marks for this shit!

1988 - Hans Haacke’s wooden monument in the city of Graz Austria, Mariensaule, is set on fire by a former Nazi.

1989 - Three men receive life imprisonment for splashing paint on a portrait of Mao in Tiananmen Square.

1989 - Richard Serra’s TILTED ARC (1981) is dismantled and removed from the Federal Plaza in New York.

1991, it was another artist - generally described as unbalanced - who attacked Michelangelo's statue "David" and damaged a foot

1994 - Joseph Kosuth wrote of Ad Reinhardt’s work: “Painting itself had to be erased, eclipsed, painted out in order to make art.”

1994 - Twenty-five of Rainer’s own works are discovered painted over in his school studio at the Vienna Academy. Police are called by an angry Rainer, but do not crack the case. Without proof, Rainer blames another member of the staff saying he acted out of jealousy.

1994. Red dye is put into a transparent container displaying Damien Hirst's dead sheep preserved in formalin. Still, not all vandalism is intended: Another work by Hirst on display in a Mayfair Gallery in 2001 - half-full coffee cups, dirty ashtrays, beer bottles and the like - was thrown away by cleaners.

1995 - The heads of Henry Moore’s bronze King and Queen (1954) are sawn off on a remote hillside in Scotland.

1997 - Jake Platt's used a big red, felt-tipped pen to write over Yoko Ono’s $240,000 painting at Cincinnati's Contemporary Arts Center. He took Ono's words - "No one can tell you not to touch the art" - literally.

1997 - Alexander Brener, a Russian artist living in Amsterdam, spray-painting a huge green dollar sign over Kasimir Malevich's white-on-white Suprematism (1921- 27).

I defend the gesture of Alexander Brener because it pulsates with energy, because it administers mouth-to-mouth resuscitation to a work of art that is dead, just as any work of art or culture buried in our memory, our conscience, our books, is dead . Giancarlo Politi, Flash Art, May / June 1997.
 
1999 - Retired English teacher Dennis Heiner smears white paint all over Chris Ofili's controversial Holy Virgin Mary at the Brooklyn Museum.

In 1999, two Chinese artists, Yuan Cai and Jian Jun Ianjun, jumped on "My Bed," a work by the British artist Tracey Emin that comprised an unmade bed accompanied by empty bottles, dirty underwear and used condoms and was on show at Tate Britain.

The following year, the two artists urinated on Tate Modern's version of "Fountain," noting that Duchamp himself had said that artists defined art.

2000 - Two self-proclaimed performance artists, Yuan Cai and Jian Jun Xi, relieved themselves on Marcel Duchamp's urinal exhibit, arguing their goal was to fuel artistic debate and "celebrate the spirit of modern art."

2001 - British artist, Michael Landy, held what he called "Break Down" in an empty department store in London: In this happening, he destroyed all his possessions, including art donated by friends..

 2001 - The Taliban government destroys the statues of Buddha...

Excerpts and Timeline dates from A night of creative destruction in Detroit by Jef Bourgeau

www.detroitmona.com/jef_bourgeau_kaBOOM!.htm

Jef Bourgeau is the director of the Museum of New Art Detroit

 

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